Exploring further

This issue of mixing pre-recorded sound with live sound (at least in my work), can be addressed in ways related to the laptop’s use in a work’s construction (performance and composition, which I view as it’s own distinct role when combined) – ‘modes of behaviour’. Now (at this point in time), it seems useful not […]


Exsact-0 (2018) offers the saxophonist a way to situate themselves within the total configuration between the live performance with their instrument and the electronic sounds managed by the Max patch I have designed. In Exsact-0, the score is meant to provide a player a ‘way into’ managing his/her interaction with a laptop. I began developing this work, […]

recent artist residency

  Ensemble Mise-en offers short residencies located in brooklyn; mine was intended for designing live electronics for my new 4-hand piano piece. Initially in my thinking, I intended this work to draw from elements of score, Max patch, Jitter patch, and two pianists (one performing ‘inside’ the piano, the other with the keyboard); typically, I […]

Recent listening pt.2

Ryuichi Sakamoto Async–Remodels; Oneohtrix Point Never, Electric Youth, Alva Noto, Arca, Motion Graphics, Fennesz, Johann Johannsson, Yves Tumor, S U R V I V E, Andy Stott, Cornelisu (2017, Commons • Milan), Alva Noto +Ryuichi Sakamoto with Ensemble Modern utp_ (2009, Raster-Noton), Diamond D The Diam Piece (2014, Dymond Mine Records), Giya Kancheli Symphony No.2 (1970), Eddie Harris The Electrifying Eddie Harris, Plug […]