Ryuichi Sakamoto Async–Remodels; Oneohtrix Point Never, Electric Youth, Alva Noto, Arca, Motion Graphics, Fennesz, Johann Johannsson, Yves Tumor, S U R V I V E, Andy Stott, Cornelisu (2017, Commons • Milan), Alva Noto +Ryuichi Sakamoto with Ensemble Modern utp_ (2009, Raster-Noton), Diamond D The Diam Piece (2014, Dymond Mine Records), Giya Kancheli Symphony No.2 (1970), Eddie Harris The Electrifying Eddie Harris, Plug […]
not in any particular order- John Abercrombie / Marc Johnson / Peter Erskine (1989,ECM), Fennesz+Sakamoto (2007, Touch), Scofield, Swallow & Nussbaum Live in Copenhagen (1980, youtube), Fennesz Black Sea (2008, Touch), Eno Textures (1989, Standard Music Library), Eno Thursday Afternoon (1985, E.G.), Sakamoto & Noto Insen (2005, Raster-Noton r-n065), MFDoom Special Herbs Vol.1,2,3,4,5,6,7,8,9,0 (2001-2005, Female Fun/High Times/Nature Sounds/Shaman Works), J Dilla Dillatronic (2015, […]
Here is a screenshot of the Max patch for my work Exsact-0(2018), for tenor saxophone and electronics. This work requires a saxophonist to perform with the patch(above), confronting the player with a range of digital processing techniques; in some cases, the electronic sound which results, can be viewed as extending the saxophonist’s performance. Initially, I envisioned these […]
With regards to my creative practice, I am currently exploring notions of interdependency and musical interaction in two new compositions; a work for piano duo(4-hand) and electronics which will include video, and a cello, piano and electronics work. In both works, I construct the performance system(s) in Max and/or Jitter. My strategy here, when connecting […]
Using Micron’s Sinus Jitter patch, and my own Max Patch for transforming sound, Blurred alterations could be viewed demonstrating my aesthetic for blending image and sound in an improvisatory manner.